phantym_56: (jack)
[personal profile] phantym_56

TORCHWOOD 1.13 - END OF DAYS

 

(first scene missing as I didn't get the disk in in time)

 

***

 

Gwen's phone rings. She giggles and grabs it as-

 

RHYS (offscreen)

Don't answer it!

 

Gwen does anyway.

 

GWEN

Yep?

 

JACK (on phone)

You watching the news?

 

***

 

Gwen, in her dressing gown, stands in the living room, watching the TV. Rhys, naked, comes in behind her and makes coffee.

 

NEWS ANNOUNCER

There's speculation that the incidents overnight may be linked. Initial reports suggest a terrorist involvement.

 

Gwen glances back at Rhys, who leans forward on the counter.

 

NEWS ANNOUNCER

But this morning, some intelligence experts have claimed the incidents may be a stunt.

 

On the TV is an image of the Taj Mahal with enormous ships hovering pretty low over it. The scrolling text at the bottom of the news says "Fears of guillotine appearance in Paris" "Samurai warrior on the rampage in Tokyo subway system" and "Beatles on the roof of Abbey Road Studios".

 

NEWS ANNOUNCER

The first sightings were of UFOs over the Taj Mahal in India. They came in just after midnight.

 

Now there are images of what look like knights around London. Police are trying to protect passers by as the knights shoot.

 

NEWS ANNOUNCER

In London this morning, there were reports of men in historic dress, firing upon police. Some religious groups are claiming events overnight are a vindication of their teaching.

 

RHYS

Do you think it is terrorists?

 

GWEN

Terrorists bomb things. This is different

 

WOMAN INTERVIEWED ON TV

People didn't believe us. Now they should. Judgement Day is finally here. This is the end of days.

 

CREDITS

 

IANTO

"And I heard, but I did not understand, and I said 'Master, what is the end of all these things?'

And he said 'Go, Daniel: for the things are closed up and sealed until the end of time.'" Daniel 12, Verse 10.

 

GWEN

Sounds a bit close for comfort.

 

Owen is examining the hand in its jar, bubbling away.

 

OWEN

This machine's on the blink, keeps losing power.

 

He comes up the steps to the workstations, one hand on the gunshot wound on his shoulder.

 

OWEN

Sorry, don't let me stop your portents of doom. Or have you finished?

 

IANTO

Nope. Plenty more where that came from. Abaddon, the great devourer, who will lead the world into shadow.

 

Jack, who's been watching from his desk, now gets up.

 

JACK

Yeah, thanks Ianto, I can do without the superstition. You people love any story that denies the randomness of existence.

 

IANTO

Thanks, that makes me feel a lot better.

 

Jack stops where everyone can see him.

 

JACK

Okay, I've been fielding calls all night. The government, UNIT, the CIA - half the Western world and a good proportion of the Eastern are all asking the same question: is this anything to do with us?

 

Ianto looks at Jack briefly, then away.

 

GWEN

And is it?

 

Tosh comes across, tapping at her PDA.

 

TOSHIKO

I've run a profile on every reported temporal anomaly and tracked every physical and temportal pattern.

 

Her results appear on a world map on a screen behind them - lots of red lines, all connected to one spot. The map is too small to see too clearly, but it's somewhere in the British Isles.

 

GWEN (horrified)

Shit!

 

JACK

The cracks in time trace back here to the Rift. This city, this Hub, is the centre. What you're seeing around the world are ripples and aftershocks. The Rift is splintering because of you.

 

He's looking directly at the horrified Owen.

 

OWEN (whispering)

What?

 

JACK

You opened the Rift without knowing what you were doing. You've caused the temporal cracks to widen. Time is seeping through.

 

Owen is both horrified and terrified. His voice isn't quite his as he says-

 

OWEN

If it wasn't for me, you two'd still be in the 1940s. So are we going to sit around crying into our lattes, or are we gonna do something about it?

 

JACK

Bring those who've fallen through time back here, into the Vaults.

 

OWEN

And do what with them?

 

JACK

We'll deal with phase one first. Then I'll tell you about phase two.

 

OWEN (angry)

You can't control time! You can't send them back! What are you gonna do?!

 

JACK

We'll think of something!

 

They all look at him, helpless.

 

JACK

Hey. This is *not* the end of the world.

 

They don't look convinced.

 

JACK

I'm certain of that.

 

A computer beeps. Ianto gets straight on it.

 

IANTO

Priority one attendants requested at the hospital. Mortality rate's gone through the roof. They're sealing off the area and designating a hot zone.

 

Owen gets on the phone.

 

OWEN

I'll go.

 

JACK

Tosh, go with him.

 

OWEN

No thanks, I'm fine on my own.

 

TOSHIKO

And you'll be even better with me alongside. Shut up, Owen.

 

They leave. Gwen looks at Jack.

 

GWEN

Did you have to pick on him in public like that?

 

JACK

All of our actions have consequences.

 

GWEN

And all your staff have feelings, Jack. Even Owen!

 

JACK

Well, you would know.

 

He walks off. Gwen stares at him, incredulous.

 

GWEN

He brought you back! Would you rather be stuck in World War Two?

 

Her phone rings. Jack looks at her, an odd expression in his eyes. Gwen answers her phone snappishly.

 

GWEN

Hello!

 

ANDY (on phone)

Gwen, it's Andy.

 

Her old police partner, Andy, is there.

 

ANDY

Listen. I didn't know who else to call.

 

***

 

At the police station, a man dressed as a Roman is locked in a cell, yelling at the CCTV camera. Jack and Gwen are with Andy, watching it.

 

ANDY

Double murder. Stabbed two blokes in Penarth, brutal it was, no mercy. What are we supposed to do? He doesn't speak a word of English and he's dressed as a bloody Roman soldier!

 

Jack tears his eyes away from the screen and looks at Andy.

 

JACK

He's not dressed as a Roman soldier, he *is* a Roman soldier, and he's shouting in Latin.

 

ANDY

The only word I could pick out was "Gelligaer"?

 

GWEN (correcting his pronunciation)

Gelligaer. There's a Roman fort up at Gelligaer, built around 75AD.

 

JACK

So, he was on his way there, time splinters, and he ends up here.

 

Andy stares at them.

 

ANDY

Excuse me?

 

They look at him, having almost forgotten he's there.

 

ANDY

Hi. Anytime you feel like talking sense...

 

JACK (matter of fact)

That soldier came through a crack in time.

 

ANDY

He's not serious, is he?

 

They head down to the cell where the Roman is.

 

ANDY

This sort of thing just doesn't happen. Not in Cardiff.

 

JACK

Just because you can't understand it, doesn't mean it isn't true.

 

GWEN

I know it sounds mad, Andy, but...

 

ANDY

Right, Mulder and Scully. Say I believe you - which I don't, cos it's bollocks - but say I do. How are we meant to handle a prisoner from two thousands years ago? I mean, has he got the same rights as anyone else? How's this gonna work with the CPS?

 

Jack opens a little tin, containing amongst other things, a syringe.

 

JACK

We'll take him off your hands.

 

He opens the flap in the door. The Roman instantly slams himself against it, shouting. Gwen and Andy both instinctively step back. Jack ignores him.

 

JACK

Under any other circumstances, an exuberant Roman soldier would be my idea of a perfect morning.

 

He hands the tin to Gwen.

 

GWEN

Careful, Jack.

 

Andy unlocks and opens the door. Jack, armed with the syringe, goes in and Andy slams the door behind him. Gwen holds it shut while Andy locks it. There's a lot of noise from inside. Andy and Gwen lean against the walls, either side of the door and wait.

 

ANDY

Everyone's saying it, you know, word on the streets. Do you think this is the end of the world?

 

GWEN (quickly)

Oh, Andy. Don't be silly. Do you think the world's gonna end on your shift?

 

ANDY (not fooled)

I've seen you use that smile on a lot of people.

 

GWEN

What smile?

 

ANDY

That smile you use to reassure people when, deep down, you know everything's going to shit.

 

***

Owen and Tosh, dressed in white biohazard suits, move through the hospital. Owen is talking to another doctor.

 

DOCTOR

This was the first one to die. No ID on her, she just appeared in the middle of A&E. No one saw her come through the doors, she didn't register at the desk...

 

TOSHIKO

So what happened?

 

DOCTOR

She started coughing up blood. We moved her into isolation immediately. An hour or so later, the staff started presenting similar symptoms.

 

He takes them through a plastic curtain to where a dead body is still lying in a bed.

 

TOSHIKO

Which were?

 

DOCTOR

Bite-like bumps on the skin, chills, fever, headaches, along with black patches on the skin.

 

Owen bends over the body to take a look at it.

 

OWEN

Indicating bleeding into the skin, possibly other organs.

 

DOCTOR

From the staff, it started spreading into other patients, who'd been in reception when she came in.

 

Tosh looks at the clothes in a plastic bag. They're rough and look very old.

 

TOSHIKO

These aren't contemporary clothes.

 

OWEN

The teeth aren't exactly modern-style either.

 

He pulls back the patient's lips with a stick to see the teeth.

 

OWEN

Shit.

 

DOCTOR

As soon as we realised the rate of infection, we closed down the whole area.

 

Owen goes out, his breath coming a little fast.

 

OWEN

How many others are infected?

 

DOCTOR

Thirty, maybe forty.

 

OWEN

They all quaratined off?

 

DOCTOR

We think so.

 

OWEN

Then have their clothes and the sheets destroyed immediately.

 

He looks at another patient, then turns back to Tosh. The doctor hurries away.

 

TOSHIKO

What is it?

 

OWEN

That woman that isn't from this century. .. more like the fourteenth. It's the...

 

He can't say it.

 

OWEN

It's the fucking.... Black Death, Tosh.

 

Tosh nods.

 

OWEN

She's infected Cardiff A&E with the Plague. And it's my fault.

 

The doctor comes back.

 

DOCTOR

The team are instigating procedures.

 

Owen walks off down the corridor.

 

OWEN

The infected'll need 30 milligrams of streptomycin and chloramphnicol plus two of tetracycline.

 

DOCTOR

That's Plague medicine! Standard issue for bubonic!

 

Owen comes back.

 

OWEN

Well done, House. That's what you're up against.

 

DOCTOR

So, what are you gonna do now?

 

OWEN

Well, you're a hospital, you've got procedures, haven't you?

 

DOCTOR

Yes, but everybody said Torchwood would sort it out. What if we get more carriers out of the blue?

 

TOSHIKO

We're working to stop that.

 

DOCTOR

We waited for you! You've got to stop this! You've got to do something!

 

OWEN

No, you've gotta do something! People are dropping through time and they are gonna bring every disease in history through your doors. So you better be ready!

 

TOSHIKO

Owen?

 

OWEN

You scared enough yet? Cos fuck knows I am!

 

To Tosh-

 

OWEN

Come on, Tosh.

 

TOSHIKO

Make sure they get the medicine, call us if things get worse.

 

They leave.

 

DOCTOR

How much worse can they get?

 

Tosh stops and looks at him.

 

***

Tosh steps through a plastic curtain, taking the helmet off her suit.

 

TOSHIKO

Owen? Owen!

 

Partway down the corridor, she suddenly spots an older Japanese woman and stops, shocked.

 

TOSHIKO (in Japanese)

Mum?

 

TOSHIKO'S MUM (in Japanese)

It is coming... out of the darkness.

 

TOSHIKO (in Japanese)

What is coming?

 

TOSHIKO'S MUM (in Japanese)

If there is no other way, you will have to do it.

 

TOSHIKO (in Japanese)

Do what? Mum!

 

But her mum has disappeared, as if she was never there. Tosh stares, then Owen appears through the curtain behind her.

 

OWEN

Tosh! Come on, stop pissing about.

 

Tosh follows, taking one last look down the empty corridor.

 

***

In the cell, Jack is running a bright green light over the unconscious Roman solider.

 

GWEN

If Owen managed to open the Rift to get you and Tosh back, can't we do the same for these people?

 

Jack looks up at her.

 

GWEN

We've still got the Rift manipulator.

 

JACK

There's a world of difference. We're talking about taking control of time, not bringing two people back from the past. Besides, look at the damage Owen caused. Have I ever let you down?

 

Gwen gives a tiny smile, then walks away. Jack gets back to his scanning. As Gwen walks down the corridor, she hears something.

 

VOICE

Gwen. Gwen.

 

She stops and looks in the cell to her left. Bilis is in there, sitting on the bench.

 

BILIS

I'm sorry. I'm so sorry.

 

But he's speaking without moving or even opening his mouth. Behind Gwen, Jack looks up from his Roman.

 

JACK

Gwen! Gwen!

.

She finally snaps out of it and looks at him

 

JACK

Come on. Hustle.

 

Gwen looks back in the cell. It's empty. Definitely empty. She steps back out and walks away.

 

***

In the Torchwood cells, Gwen is looking through the plastic at the Roman.

 

JACK

Are you sure it was the same guy?

 

GWEN

It was definitely him. Bilis. The caretaker at the dance hall.

 

JACK

That's all he said, sorry?

 

GWEN

Uh huh.

 

JACK

Well, what's he got to be sorry for?

 

The door bursts open and Ianto comes in, dragging a Weevil. Jack pushes Gwen behind him.

 

IANTO

Coming through!

 

The Weevil growls threateningly at Ianto, who sprays the Weevil spray at it. It quietens and he shoves it into a cell.

 

IANTO

Thirty more reports of Weevils on the loose. We're not gonna keep up on this one.

 

JACK

Everything's on the increase.

 

GWEN

Can we stop them from making that noise?

 

IANTO

If you've got any ideas how?

 

JACK

Maybe they're time-sensitive. This disturbance may be too much for them.

 

IANTO

We're now full in all vaults across all nine levels. Do you want me to activate the vaults below? It's just we've never used them since I've been here.

 

Jack nods.

 

JACK

Do it. Gwen, maybe you're right. Let's run a search on your dance hall buddy. We need to find him.

 

He and Gwen leave the cells. Ianto stares at the Weevil, then he looks round suddenly. At the far end of the vault is Lisa, pre-Cyber conversion.

 

LISA

Hello, Ianto.

 

Ianto backs away slightly. Flashbacks of Lisa's dead Cyber body on the floor, of Ianto crying. Lisa now steps forward. Ianto holds his ground, but looks like he would like to step back.

 

IANTO

What do you want? Why are you here? This is isn't helping anything..

 

LISA

There's only one way to stop this, before things get worse. People will die, Ianto. Thousands of people. Unless you open the Rift.

 

Ianto closes his eyes for a moment. When he opens them, she's gone. Ianto quickly turns around, but she's nowhere. He jumps slightly as the Weevil growls.

 

***

Owen and Tosh come back. Jack is preparing to go somewhere, already wearing his long coat.

 

JACK

Owen, how was the hospital?

 

OWEN

Laugh a bloody minute. They've got an outbreak of the Black Death.

 

GWEN

What? Oh my god!

 

JACK

Have they got it under control?

 

He's addressing Tosh, but she's staring at the computers, ignoring him. He smacks his hand on the edge of the desk.

 

JACK

Tosh! How are they coping?

 

TOSHIKO

Um... Owen got the place quarantined and organised treatments for those who were infected.

 

OWEN

Only consolation is that it's treatable these days, but you know, what happens when the next carrier comes through, Jack? Someone carrying smallpox or Ebola or something from the future that we don't even know about yet? What do we do then?

 

JACK

Yeah, well, it's not doing us any good standing around speculating.

 

He goes to walk out but Owen gets in his way.

 

OWEN

We need to be prepared. We're helpless! All we're doing here is putting sticking-plasters on gaping wounds!

 

Jack holds up his hands.

 

JACK

What do you suggest?

 

OWEN

I suggest you lead us and you tell us what the instructions are.

 

Gwen comes over to join in.

 

GWEN

Owen...

 

OWEN

No, come on. You're all thinking it too. You're the big man here. You keep all the secrets. Well, now's the time to tell us a few and tell us how we're gonna get out of this!

 

Jack walks away, then turns back to face them.

 

JACK

You wanna know a secret? There is no solution. I can't fix this. The first thing you learned when you joined Torchwood was "Don't mess with the Rift". But you disobeyed those orders, and now everything that's happening is down to you!

 

OWEN

I only disobeyed instructions to get you back!

 

JACK

And now people are dying.

 

OWEN

What, so I shouldn't have bothered.

 

Jack looks straight at him. He doesn't say it, but his eyes do.

 

OWEN

Who the fuck are you, anyway? Jack Harkness? You don't even exist. We've looked. So if you aren't even a real person, then why the hell should I follow your orders?

 

He's crossed a line.

 

JACK

Get out.

 

Owen looks shocked and surprised.

 

OWEN

What?

 

JACK

Get out! I'm relieving you of your duty.

 

TOSHIKO

No! You can't do that.

 

OWEN

Bollocks you are!

 

GWEN

Jack, wait.

 

He ignores her and walks straight past, right up to Owen.

 

JACK

You're done here.

 

OWEN

What, so that's it? The whole world is going to shit and you're going to fire me?

 

GWEN

For God's sake, both of you! We need to stick together on this!

 

Jack and Owen stare at each other.

 

JACK

If I can't rely on you, if I don't have your complete trust, you don't belong here. That goes for the rest of you. Anyone who agrees with Owen, leave now.

 

They all stare at him. They're all desperately sorry for Owen, but not a one of them is on his side on this. Owen looks at Jack and nods.

 

OWEN

So now we know how it is. So that leaves me twenty-four hours to savour the good times.

 

GWEN

What are you talking about?

 

OWEN

Think about it, Gwen. Nobody leaves this place intact. Sometime in the next twenty-four hours, I get Retconned. All my memories erased. I don't know where or when, but he'll get me.

 

GWEN

Jack, this has gone far enough.

 

But Jack's not backing down. Owen takes out his gun and lays it on the nearest desk.

 

OWEN

I guess this is goodbye. Heh. Good luck with the end of the world.

 

He turns to leave, then stops to look at Gwen.

 

OWEN

I would say thanks for the memories...

 

GWEN

Jack, for God's sake!

 

Owen goes out. In the stone corridor, he stops, leaning against the wall, gasping, trying desperately not to cry, as he waits for the lift to open. This is it. This is the end of Torchwood for Owen. He presses the button, obviously reluctantly, and the door closes.

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June 2012

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